Shadows on the Wall Ch. 52: Vengeance Game by Nicky (Voiceover by David Selby) “Collinwood in the year 1897 is a troubled estate, as it was a hundred years in the past and will be a hundred years in the future. There is no rest for the wicked, and no one knows this better than Quentin Collins, for he has returned from the land of the dead in perfect condition ... except for his mind, and now he knows no peace. For there has been sacrifice on this estate, and a bargain was struck with dark, primal forces ... forces that may demand a payment Quentin will be unable to provide.” 1 The brandy burned the back of his throat like the acid he knew would rise in his stomach when he awakened tomorrow morning (or afternoon, he mused), but Quentin found he didn’t care. He sat in a chair that had once been plush but was now thinning from years of use with one hand softly carressing the wine glass he’d pilfered from Edward’s study. A fire crackled before him, limning his face with red, accenting the clever planes and contours. The victrola beside him crooned “Shadows of the Night” over and over, the sweet melody haunting him now, as it always had. Other things haunted him as well. The dream he’d just suffered, for instance, marring his attempt at sleep on his first night back in his body. A whole new world. He wondered how many other men were given his gift, to swim in the icy oblivion that was death, only to be snatched back, poured whole into a body that had been maimed but miraculously lost the wounds that had injured it so. Not many, by his calculation. “Miranda,” he whispered, and a small smile dappled his lips. She was a lovely thing, he’d grant her that ... whatever she was. Not a human being, surely. She sacrificed Dirk Wilkins as easily and cold-bloodedly as if he had been a chicken needed for dinner, or a fish caught in a net. Quentin frowned, then his mouth opened and his eyes widened as he realized, astounded, that he actually cared. Not that he liked Wilkins at all, what with the infatuation he’d once harbored for Beth, but the man didn’t deserve to die. Did he? He saved you, Quentin, a voice whispered in his head. It was cold and scratchy, like the crackling on the gramaphone record before the music began, like claws drawn down a sheet of tin. He heard this voice often, and often he listened to it, but now it perturbed him. He smiled a little. Perhaps death had changed him after all. Someone had to die for you to live, that voice continued, scratch-scratch-scratching at his brain. More than one person, actually. “Jenny,” he said, and the brandy flooded his throat and soured his stomach again. Not my fault, he thought, now a petulant little boy; she stabbed me, it was self-defense, she was insane, she had it coming, she ... she ... she ... “She loved me,” he said, and his chest hitched. Tears scalded his eyes, another first, for Quentin Collins did not cry. Quentin Collins never cried at anything. She did love me, though, he thought, even at the end. She couldn’t stand the thought of me with another woman, and I slit her throat so easily. Vengeance. Petty vengeance, after driving her mad and leaving her to rot in this castle when I took off after Laura. My god, but I’m a son-of-a-bitch. A bastard. Once, this thought might have induced him to beam, to smile with pride, but now he felt small and ugly. He felt ashamed. I’m a bastard, he thought, and began to weep. “That’s right, Quentin,” Magda Rakosi said, and Quentin looked up at her, his eyes streaming, his cheeks blazing scarlet with shame. The Gypsy stood before him in all her magnifigance, her chin thrust out like a lance, her black eyes alive with fire, cold and hard as obsidian. “Weep. Weep for the one you murdered. Weep for my poor Jenny.” “Magda —” Quentin choked, but there was nothing to say, and then she was gone. Faded away like a vapor, like smoke, and he dropped his head into his hands and sobbed. She was real, all right, he knew, and vengeance would surely be hers. Who wasn’t owed a bit of vengeance in this sickening game they all played? That would explain the dream, he thought. Magda’s begun her work already. Ah, the dream. In the dream he wasn’t Quentin. He wasn’t a human. He snuffled and scouted and bayed at the moon. “I see an animal in you,” someone gloated nearby, but his inhuman mouth, filled as it was with sharp angles like knives, was incapable of answering. Everything around him was sharp and focused and alive, and when he saw the young blonde girl, maybe sixteen, maybe seventeen, alone in the clearing on the night of the hard white moon, he pounced and tore her limb from limb. He awoke screaming, the writhing, coppery taste of her blood still in his mouth. He had crawled out of bed and sat brooding in his chair before the fire. A dream, he thought now, and wiped away the tears from his eyes (coward’s tears, he thought, bastard’s tears) and rose shakily to his feet. Only a dream. The dream of a murderer. I’m a beast, he thought; why shouldn’t I dream a beast’s dreams? He froze, and stiffened. He wasn’t alone. The temperature in the room had dropped, and goosebumps rose on his bare chest and arms. “Who is in this room?” he called, and looked around. Terror sang silver inside him. The air around him shimmered, and seemed to draw together in a stream of white-gray light. He was rooted in place as the disparate streams seemed to solidify, to form a nearly human figure. It glared at him angrily with empty eyesockets and a gaping mouth, then levelled what he thought must be a bony finger. “Quentin Collins,” it said, and its very words polluted the air. The room reeked of spoiled meat gone old and gray, a clotted tang that wrenched his stomach even as the temperature continued to drop and his teeth began to chatter uncontrollably. It spoke in the language of tombs, the language of the dead, and its voice was the grating of stone upon stone, issuing from the deepest fissures of the earth. “Quentin Collins,” it said again, and it almost seemed to grin, that formless, skeletal thing. Its words were a hiss. “You have not escaped. Death comes for everyone, Quentin Collins. You have not escaped.” “Get out of here,” Quentin whispered. His hands were clenched into tight fists, and his fingernails began to dig deeply into the palm of his hand. Dime-sized droplets of blood pattered to the floor. “Leave me alone.” “Death is inevitable,” the specter rasped. “It comes for everyone. Why should you escape?” It had continued to materialize, and seemed the hazy, indistinct specter of someone drowned and long dead. What might have been flesh was withered and lined and purple. Its face was an obscene mockery of humanity. “Return,” it said, and beckoned him. “Return. Return.” “No,” Quentin sobbed, but couldn’t move his hands to cover his face. “There must be balance,” the thing intoned, swaying before him in the air. The light from the lamp beside his chair glinted off the shards of frost that hung in the air around it. “There must be equality. It is not enough. You must offer payment or return with me. Return with me, Quentin Collins,” it said, and held out one bone-thin hand, warped and gnarled. “Return. Return. Return ...” “I said LEAVE ME ALONE!” Quentin shrieked, and flung the lamp at the thing, and it winked out like the flame of a candle and was gone. The lamp shattered against the far wall, and instantly the air was redolent with the heavy smell of oil. Quentin used his robe to smother the flames, then collapsed into his chair, shaking and shivering. Magda? he thought. Is she to blame? Did she send that thing to me? To torment me? “No,” he whispered, and stared at his hands, the long, sensuous fingers. “There’s no one to blame but me.” 2 Another day dawned on Collinwood. The sun, for once, sparkled in the sky like a rare jewel, and the sky was bright and blue. It was an exceptionally warm day for spring in Maine, particularly for the end of March, and Laura Collins basked while she could, because later, she knew, it would rain. She had spent the previous evening moving all her luggage — the few meager possessions she carried with her — into the old caretaker’s cottage, vacated now after the strange disappearance of Dirk Wilkins. Edward would not allow her to remain at Collinwood, and rather than fight, she had acquiesced. He was, at this very moment, in Collinsport, conferring with that bumbler Evan Hanley, beginning preparations to have their marriage annuled. No matter. She wasn’t interested in becoming the mistress of Collinwood. Not anymore. Let Sister Judith claw and scrap with her brothers to retain that position. Laura had her sights set considerably higher. “Great Ra,” she purred, lifting her round face to the sun. Her blue petticoats suddenly seemed starch and stifling, and she longed to shed them, to run naked under the sun as she had in Egypt. She frowned. She didn’t like to think of Egypt. It was disturbing, really, how few human emotions she still retained, but those remaining surged in her blood like fire. Anger. Vengeance. Confusion. And love. Yes, there was still love. She loved her children particularly, but she loved Quentin Collins as well. The scoundrel. The blackguard. Why did she feel this way? Why was she hesitating when she should be annihilating him, burning him to a cinder, at this very moment? Because Laura Murdoch loved him, and the ashes of Laura Murdoch remained, still glowing red now and then, somewhere deep inside the Phoenix that she had become when Quentin left her with the priests that had flung her mercilessly on the funeral pyre. An endless cycle, and an exhausting one, to be born again, and again, and again, never quite remembering the past until the fire came, and once the burning time was done there was only one thing she was interested in. Her children. The sacrifice. Then the return to Ra and the waiting, basking in his light and his warmth until the cycle began all over again. Laura Murdoch had married Edward Collins so that she might become the mistress of Collinwood, and that was why the idea still held a grain of appeal. In the process she had fallen madly in love with his soon-to-be-estranged, irreprescible, irascible younger brother, and they had fled to Egypt together. Quentin’s appreciation for the occult had awakened something inside her, something dormant that she hadn’t been aware of, and it had blazed to life, nourished by the hot sun on the Nile. She had insisted this is where they would go, and Quentin had only been too eager to follow. Until he found out what she really was. Her legacy. The fire. And then he had betrayed her to the priests, those who knew her as the wicked Phoenix of the Ages, and they had burned her. She could still remember the pain as the flames licked at her sensitive mortal flesh, the agony that had consumed her and that never ended, even as the flesh fell away and her bones turned black. She was reborn as the ashes were sifted, and a new Laura Murdoch Collins had emerged, naked and shining and golden as the sun. She had slaughtered the priests with quick efficiency, and licked their blood like rubies from her fingertips. Of Quentin there was no sign. Perhaps this was a blessing. In her new state she might have killed him as easily as she had killed the priests, and now, back at Collinwood, she found that a more fitting punishment might be meted out to her erstwhile lover. Yes, she thought, and returned to cool shadows of the caretaker’s cottage, HER cottage. He shall join me. When the time comes, when I build my fire and take my children to my breast, Quentin Collins will join me in the flames. 3 His eyes, Charity thought as she entered the Old House, furtively glancing left and right. All I can see are his eyes, and they’re not right. Not at all. They swam before her, great and brown, and when she thought of them, she heard laughter, the trilling, malevolent laughter of an old, old woman. But she had to obey him, more than she had to obey the man she loved, even though she still bore the marks of his kiss on her throat. She held the stake and hammer in hands firm and clenched into fists. Though she had never been into the cellar of the Old House, she knew where to look. Just as she knew that Sandor and Magda, the unpleasant, dark, shifty-eyed pair she’d only seen fleetingly in the past few weeks, would be out of the house, leaving their master alone. Oh, Barnabas, she thought, and felt tears spring to her eyes. If only I didn’t have to do this. If only I could’ve loved you, and time could’ve stopped forever, so there was just you and me, dancing and dancing into eternity. But she had to do this thing. She had to murder. Again. Tears slipped down her cheeks in hot rivers, but she ignored them. There was the cellar door, on her left. It was easy — too easy — to open it, and glide down the stairs on the pretty slippers her father never would’ve allowed her to buy. Too easy. “He’s using you, you know.” Tim had told her that last night. There had been pain — oh, but his eyes were scary, and they hurt her so — and she had been forced to tell him everything. It had all come pouring out in a torrent, and before she knew it, he knew everything. He knew where Barnabas slept, and he knew the things they’d done together, oh the dirty things, the passionate, powerful things. Barnabas’ lips on her throat, the exquisite pleasure as his teeth sank into her skin, her gasp as the blood bubbled up, how she had burned down there, a place only she had touched, and now he was touching her, and touching her, and touching her, and Tim knew all about it. He knew about the fire, and she knew he was afraid. “He will discard you. Kill you when he’s done with you. They’ll find you on the docks with your neck snapped. Don’t you know that, foolish girl?” He’d pressed something into her hands. “Here. Take these. Use them well, and do not miss. The heart. Do you understand?” She did, only too well. There was the coffin. In the corner, in the shadows, wrapped in darkness like a shroud. Her heart turned over, and the tears stopped. He was dead, then. He was a dead man, sleeping in a dead man’s coffin. He had stolen her blood to keep himself alive. She hated him. She loved him. She couldn’t do this thing. The lid was hard, smooth mahogany, mocking her with her own reflection. She was a pale, wasted thing, a silly little girl with her stick and her hammer. She screamed her anger as she threw open the lid of the coffin and stared into his pallid, sleeping face. His cheeks were sunken and his lips were smeared with traces of blood, and his white, dead hands were folded across his chest that did not rise or fall. She was trembling, shuddering with nausea and fear as she lifted the stake with a trembling hand and placed it gently, oh so gently, over his heart. “Oh Barnabas,” she whispered, and raised the hammer. And it would’ve fallen too, and considerably changed the events that were to follow, but a hand, white as marble and quick as death, snaked out of the darkness and seized Charity by the wrist. She screamed, as shocked as she was suddenly angry, and the hammer fell to the floor, and was joined a second later by the stake. “Who —?” she stammered. “Who ...?” The woman in the dragon-green dress with drooping lace sleeves and high-necked collar smirked at her diabolically. Her hair was pulled back at her neck, and a cascade of ringlets spilled down her back. Her eyes were blue chips of freezing ice, and Charity burned under them. “My name is Miranda,” the woman purred, calm and collected, “and that is all you need to know.” She strode forward, and Charity backed away, her heart slamming in her chest like a frightened rabbit’s. “What I’d like to know is who you are ... and what you’re doing here.” She laughed, tinkling, maddening laughter, like shattering glass. “Actually, that’s fairly obvious, isn’t it. You came here to kill a vampire, didn’t you, my brave girl.” “I didn’t want to,” Charity mumbled. Miranda raised an eyebrow, perfectly lucked. “Didn’t ‘want’ to?” she said. “Why wouldn’t you want to? He’s a VAMPIRE, my dear.” “I know what he is!” Charity snarled, then her eyes widened and her mouth closed very tight. Miranda smirked at her, then before the girl could move, her fingers flashed out with that same, eerie speed and dexerity and plucked at the collar bunched around her throat. She nodded, satisfied, when she saw the tiny wounds that had yet to close up, directly over her jugular. “I thought as much,” she said, then her eyes narrowed. “But that still doesn’t explain what you’re doing here. The victim of a vampire — particularly this vampire — should be incapable of destroying him. Unless ...” “Don’t hurt me,” the girl whispered breathlessly. “Please! I didn’t want to do this ... you don’t understand ... I love him!” Miranda’s eyes widened, and a sinister smile wreathed her crimson lips. “Love, did you say?” She threw her head back and cackled fiendishly. “Yes of course. How perfect. How perfect indeed.” Her face hardened. “That you love him, I have no doubt. But this was not your decision to destroy him, was it?” Charity shook her head, and limp, blonde strands of her hair flew in her face and were plastered there, glued to her skin by her tears. “Then it was sorcery that sent you here. Only magic could’ve broken his hold over you. Magic ... or Barnabas’ death. And we both know that didn’t happen, thanks to me.” Charity was quaking. “Who are you?” she gasped. “I am ageless,” Miranda said. “I am the beginning and the end of the world. I am the Dark. I dwell in the shadowed places and the flames of the Underworld. I have cursed the Collins family with my presence, and I will haunt them for the rest of eternity ... and you will help me. You will bring suffering upon them ... what was your name again?” “Charity,” she quivered. “Charity Trask.” “Trask!” Miranda exclaimed, then clapped her hands, delighted. “Oh, it’s too perfect. A direct descendent, I’d venture. How marvelous indeed. Yes, my dear Charity, you will aid me in my revenge ... and Barnabas will have no one but himself to blame. For I vowed long ago that he would never love another living soul, and no one may love him.” She advanced on the girl, who backed away until her back struck the far wall of the cellar, and she collapsed to her knees. “And that means you, dear girl. You must pay. You must pay for daring to love such a monster.” “Don’t hurt me,” Charity sobbed. “Please don’t hurt me ...” “It won’t hurt much,” Miranda purred, very near to her ear. “Not after awhile. And when you awaken, maybe you’ll like me better.” She drew back, and red witchfire crackled between her fingers. Charity screamed, for the woman’s eyes were coal-black, as smooth and obsidian as the sky at high midnight, starless and empty. “Agency of Ineffable Name and Vast Strength,” she chanted. “Ancient dark One, thou whose word is as stone; thou ancient and alone impenetrable One! Thou old and cunning, supreme in artifice, bringer of ruin and despair, be present here and lend thy aid! Be propitious to me in my undertaking and do my bidding as I command!” Charity could only sob as she felt the marks on her neck begin to throb, and twin trickles of blood began to run down her neck, and she was cold, so dreadfully cold. And then all the lights went out. 4 Magda Rakosi stood at the grave of her sister, and the rain drenched her and jagged shards of cold pierced her to the bone. Her eyes were dark and stormy, but not wet with tears. Magda Rakosi never cried. She couldn’t cry for the terrible life she was now forced to lead, and she couldn’t cry for the miserable death that had awaited her sister. The tombstone read JANNA ROMANO COLLINS, 1870-1897. There was no epitaph. She had been buried in haste. Damn Edward Collins. She should never have come to this place, Magda thought sadly, and shook her great mane of black hair. She followed us here after she ran away from the tribe, followed us because she knew HE was here. Her face drew into a lupine snarl. That monster. That beast, that Quentin Collins — that bastard who I thought was my friend. He ruined her, and I thought it was for the best that he ran away with that cold fish with the blue eyes and the fire in her skin. I thought it better Jenny learn then what a man she married, for can a man help his nature? She should’ve known better. I couldn’t blame him for that, for his roving eye. I couldn’t hate him. I could only hope that my baby would run far and fast away from this accursed place where her feet never should’ve tread. After she disappeared, I thought she was away for good, safe and far away. I never suspected she had gone mad. I never knew — She smothered the sob that struggled to free itself from her chest. Sandor, her huge rock of a man at her side, squeezed her hand. “Is it bad, Magda?” he asked her roughly, speaking in the old tongue. She shook her head, then nodded. “No,” she said. “And yes and yes and no. I never saw this coming, Sandor.” “You can’t blame yourself. You can’t see everything.” Her lip drew back in a contemptuous sneer: contempt for herself, contempt for her “powers”. “I am to blame. I was too busy looking for those damned jewels, too busy playing palm reader to Mrs. Collins, that I stopped looking for Jenny. I thought she would never come back here. I should’ve known that she’d never left.” “Miss Judith hid her well.” Magda nodded. “Too well indeed. Hid her away like an animal in that tower of theirs. Oh yes, Sandor, I see it all now. Too late, too late.” She sighed. “Like an animal ...” Thunder rumbled menacingly above them, and Sandor cast an uneasy glance at the western horizon. “The sun will be setting soon, Magda. We had better return to the Old House. Mister Barnabas —” “I don’t care about Mister Barnabas,” she snarled. “Today Mister Barnabas can wait. Today my sister is dead, and I will never see her again. If he don’t understand that, then he really is a monster.” Her face darkened. “All of them. Monsters. But especially him. That Quentin. My friend.” She spat the word. “You’ll settle with Quentin.” “Have no doubt, Sandor. And with her too.” “Judith?” “The new mistress of Collinwood. I’ll see her suffer as well. She’ll suffer for my Jenny, just as my Jenny suffered when the knife was drawn across her throat, as she suffered in madness, locked away in the tower room. They think I don’t know, but Magda sees far when she wants to, oh yes. They’ll never prove it was murder, and who would cry for a poor murdered Gypsy girl? That’s all they see her as, you know. A Gypsy. No one knew, not even Edward. Only Quentin knew what she was, and he didn’t care.” Her voice softened. “My poor Jenny. Mi tikni ...” Sandor tugged at her arm. “We’d better go,” he said in English. “Yes,” Magda said, and tossed the rose she held onto her sister’s grave. It glowed redly at them in the murky twilight. “I’ll return, Janna. And when I do, you will be avenged, I promise you. I promise you ...” They stumbled back to the Old House wordlessly, Sandor with his eyes fixed on the earth that was quickly becoming mud, and Magda with her eyes straight ahead, blazing with purpose. The shadows grew longer and longer, and it was nearly dark before they reached the Old House. Sandor stopped, and gripped Magda’s arm. “The door,” he whispered. “The door is open. Why? We left it closed.” “I don’t know,” Magda growled, “but we’re going to find out.” She charged on ahead, and together they entered the house, which was brightly lit by the fire merrily blazing in the fireplace. The woman seated on the purple plush pouf turned to look at them coldly, with one eyebrow raised appraisingly. “Well, well,” she purred, “don’t you two make a fine pair indeed. Soaked to the bone and frightened as rabbits. For yourselves, I wonder, or for your master?” “Get out of here,” Magda snarled. “You don’t belong here, chiovani. Witch! What you doing here anyway, huh?” Miranda rose to her full height, and in the emerald green dress she was impressive indeed, a dragon waiting to strike. Wrath flashed in her blue eyes, but Magda did not back down. “You don’t dare speak to me like that,” she said in a calm, threatening voice that did not betray the anger gathered around her like the black clouds in the heavens outside. “Remember your place, Magda, and remember who has more power here. Do you think it is you, you with your paltry charms and cantrips? You, with your palm reading and tarot cards?” She sneered, and spat, “You rank, miserable amateur. I could destroy you this minute, Magda, blast you to a cinder, and don’t you ever forget that.” “Yeah, yeah,” Magda said, and dropped her eyes to the ground and scuffled her boot-clad foot. “You said all that already.” Miranda stared at her expectantly. “I think I want to hear you say it, Magda,” she said. Sandor’s eyes darted nervously from one woman to the other. “Yes, I think an apology is quite in order.” “All right!” Magda cried, flinging her hands into the air. “I’m sorry. Magda is sorry. Sorry, sorry, sorry! Happy now?” “No,” Miranda said. “No, I am not. I think it’s a little late for your concern, Gypsy, even if you had shown any. I came to this house this afternoon and found Charity Trask with a stake over Barnabas’ heart. Fortunately I put a stop to that nonsense in time, but only just in time.” “Charity Trask?” Magda frowned. “The governess at Collinwood?” Her expression filled with horror. “My god! She’ll tell! She’ll tell them all!” Miranda smirked. “No,” she said, “no she won’t. Miss Trask belongs to me now, and she’ll do and say only what I tell her to.” Magda stared at her suspiciously. “What did you do?” “You’ll find out soon,” Miranda said enigmatically. “You’ll also discover how pleased Barnabas will be when he learns that you were off duty — that you left him, alone and helpless, so that anyone could enter this house and put an end to him.” “He’ll understand,” Magda said, and terror made her whine. “I was visiting my sister ... my dead sister in the graveyard —” “I don’t care for your excuses,” Miranda said coldly, “and neither will Barnabas. I don’t think he’ll be as sentimental or as understanding as you’d like. It is my feeling, Magda, that he will kill you.” “No!” Sandor cried. “No, he musn’t find out ... he can’t —” “He won’t,” Miranda said, silencing him with a glare. “I won’t tell him, and neither will you. But you must do me a favor as well, or you’ll join your sister in the boneyard.” Magda squinted her eyes. “And what is that?” she growled. “You must not tell Barnabas that I was here in the house this afternoon,” she said, “nor will you tell him that you’ve seen me at all. No, for the moment I want Barnabas Collins as in the dark as he can possibly be ...” She laughed again, wicked, cawing laughter that was utterly diabolical, and Sandor and Magda exchanged frightened looks as she faded away before their eyes completely. 5 The shadows at Collinwood were long, and the nearly full moon flitted through ragged tears in the cloud sheath that covered most of the sky. Dinner was over, the children were in bed, Edward was holed up in his study with his paperwork, and Victoria Winters was sneaking into an abandoned room in the East Wing with a vampire. If only the family knew, she thought, and half-smiled, but her smile faded a moment later. If only they knew half the things that are going on in this house, she thought, or are going to go on. Things I — we — have to discover now, before it’s too late. Barnabas closed the door of the room behind them. It was dusty and dark, and the flickering light from the candle she held didn’t do much to dispell the gloom. When he turned to face her, she almost gasped. His face in the candlelight was grim and gray, lined and sunken, and his eyes burned at her like those of a wolf. “Are you all right, my dear?” he asked, and his voice wasn’t human. “I’m fine,” she said, and thought, Oh lord, what if he can’t control himself? What if he attacks me now? She scolded herself a moment later. You know that won’t happen, she thought. He was a vampire when you knew him before, before his cure, and he never did anything to you then. But her mind wandered momentarily, and she remembered the attacks on girls on the docks, and how Sabrina Stuart had disappeared, and even though she knew that it was Elizabeth who had ultimately caused the girl’s death, it was Barnabas who had attacked her and left her for dead. “Just fine,” she said, and shivered a little. “You’re cold,” he observed, and she wondered if his eyes were like a bat’s, capable of piercing the darkness, and decided it was safer not to ask. “A little,” she admitted. “This part of the house isn’t heated. No one comes here anymore.” “Just as no one will come to the West Wing in decades to come,” Barnabas said. “I wonder that no one ever thought how strange it was to abandon two whole wings of a house as great as Collinwood.” “No one thinks at all, it seems,” Vicki said with only a trace of bitterness. “So many secrets, Barnabas, so many things that go unsaid ... unseen ... unheard ...” He took her hand for a second, and it was cold, the grip of a dead man, but she smiled and let him squeeze it before he released her. “You mustn’t worry about that now,” he said. “Has there been no word about the governess?” “Miss Trask?” Vicki asked, then frowned. “None at all. She’s disappeared without a word. But she left behind all her clothes and her other personal objects.” “Perhaps she’s met someone in town,” Barnabas said, more to himself, and Vicki knew then that he knew something about Charity Trask. He wasn’t sure where she was, but he knew that something wasn’t right. What do you know, Barnabas? she wondered. What aren’t you telling me? And why? But again, she decided it was safer not to press. “What exactly are we planning to do here, Barnabas?” she asked, and glanced around again at their surroundings. “I’ve no doubt that no one will find us here, but still ...” He rummaged in the folds of his cloak, and when his hands re-emerged they held a small portrait that he handed to her wordlessly. She stared at it, and gasped. “It’s her, isn’t it,” she said. “It’s Laura Collins.” “Yes,” he nodded. “Laura Collins. My father’s mistress, and Edward’s wife. But look at the date on the portrait.” She held it up to the candlelight and squinted, and when she looked at him again, her eyes were wide and wondering. “That can’t be,” she whispered, knowing full well it could. “The date says 1692. Two hundred years ago.” “And three hundred years from the time you knew her in 1967,” Barnabas said. “Laura Collins has plagued this family for three centuries all told, maybe more. I found this in the attic of the Old House earlier this evening. I’d forgotten about it, though I can remember reading about her now, when I ... when I was alive.” He blinked. “Laura Pendleton Collins was married to Amadeus Collins, my great-grandfather, in the town of Bedford, Massachussetts, in 1692. She was burned as a witch later that year, and Amadeus, one of the greatest witch-hunters of the time, was burned with her.” “Fire again,” Vicki said, and her brow furrowed. “Always fire.” “Yes,” Barnabas said. “And always that name. ‘Laura’. No matter who she is, no matter what family she’s born into, always the same face, and always the same name. The Laura Stockbridge I knew as my father’s mistress died mysteriously, on this estate, just before I became a vampire. I never knew how. As I said, I only saw her once.” “And you want me to ...” Vicki shrugged. “What? Contact Laura Stockbridge? I don’t know what you mean, Barnabas.” He frowned. “I’m not sure I do either. I don’t know what we’re dealing with, Victoria. Laura Collins could be a witch, but that doesn’t feel right to me.” “No. Me either.” “I brought you this picture for a reason. Magda is convinced that you’re what she calls a ‘Seer’.” Vicki sighed. “Right,” she said. “That I ‘see’ things. Maybe I do and maybe I don’t, but Barnabas, it isn’t a talent that I can control. Sometimes things come to me in dreams, but I can never really remember them, and they don’t ever make sense when I can.” Barnabas laid a comforting hand on her shoulder, and it was all she could do not to shudder. He didn’t seem to notice. “It’s all right, Victoria,” he said. “All we can do is try. This will be an experiment. I have a feeling that we must learn as much about Laura Collins as we can. She may be an enemy.” “You’re right,” Vicki said. “I’ll — I’ll try my best.” “Good girl.” He handed her the portrait again, and she held it in her hands and stroked its texured, bumpy surface with her fingers. She could feel the whorls and and ridges in the ancient oil that the painter’s brush had left in its wake, swirls and rigid lines. She closed her eyes. There was darkness for only a moment, and then she gasped and stiffened as a cold breeze washed over her. She thought she heard Barnabas calling her name, but he sounded far away, and his voice faded into the dim shrieking of the gale that surrounded her. Before she could see, she could hear, and a woman was shrieking, “She murdered my husband! You all can see, can’t you? This woman is a beast! A murderess!” Then the darkness parted, and Vicki could see that she was standing in a crowded square, and all the people were dressed strangely, like Pilgrims from Thanksgiving dioramas she had constructed at the Foundling Home. There was a woman at their epicenter, and she was tied to a stake. Her blonde hair was all but hidden behind a cap, and her sea-green eyes scanned the crowd with what seemed to Vicki to be bored disdain. Then Vicki recognized her. She was the woman she had come to know in 1967 as Laura Collins, David’s mother. “Burn her!” the crowd roared. “Burn her!” “Burn me,” Laura intoned, and the scene shifted, and suddenly Vicki was in a jail cell, standing beside Laura, who obviously couldn’t see her. Another blonde woman stood without the cell. Her arms were crossed over the blue, starched fabric of her dress, and her bonnet did nothing to discourage the gorgeous golden ringlets that hung near her shoulders. Her eyes were icy blue, and they laughed maliciously. “Aye, but you’re a fair one this morn,” the woman cackled, and Vicki recognized her as well. It’s Cassandra Collins, Vicki thought, amazed. If her hair were black as a raven’s wing, then that’s who she’d be. This is no vague resemblance, like Carolyn’s to Millicent Collins, when we held up that portrait of her we found in the attic last summer. This woman is Cassandra Collins. The woman in the cell said nothing, and the woman Vicki knew as Cassandra placed her hands on her hips and cackled her infernal laughter. “What’s the matter, Laura Collins?” she purred. “Does the cat have thy tongue?” “Begone from this place, Miranda DuVal,” Laura said, and her voice was flat and dead. “I have no use for thy taunts.” “To be certain,” Miranda DuVal said, beaming. “Thy husband is dead, art thou aware of that? They burned him this morning at dawn. I was there, watching.” “Enjoying thy triumph?” Laura hissed, and real emotion entered her voice for the first time. “Aye,” Miranda said simply. “And why shouldn’t I? After all the old bastard did to me —” “Thou art a fool,” Laura said coldly. “Thou hast thy revenge now. Why destroy me as well?” “For that ‘tis the frosting on the cake,” Miranda said, and her eyes sparkled. “I wanted old Amadeus to die knowing that thou wouldst follow him shortly thereafter, and that there was nothing on this earth he could do. After he plundered my virtue, forced himself upon me ... why, this was the least I could do!” “Fool,” Laura repeated, and shook her filthy head. “Can it be that thou knowest nothing of what I be? Of what my fate be? I am doomed to the fire, idiot child. It craves me, and I it. Thou must be only a paltry witch at best if thou can sense that not.” Miranda’s face darkened. “Thou had best keep thy tongue, Laura Collins,” she said in a low, terrible voice. “For I will see thy destruction.” “Thou wilt see more than that,” Laura vowed, and rose from the rickety bench to face her rival outside the bars. “Thou wilt see my face again, Miranda DuVal, so mark it well, my sister, mark it well.” “I am no sister of thine.” “But thou art. Save where I crave fire, it repells thee.” Her mouth trembled on the brink of a smile, and she added mockingly, “Witch. I will mark that as well, and wilt not forget so easily.” “I sent Amadeus to his death with my testimony, just as I will do for thee ... ‘sister’.” Miranda’s voice trembled with hate, and her face was red and spotty with rage. “And then my vengeance towards the Collins family will be complete.” “Thy revenge will never be complete,” Laura said. “That is my curse upon thee. Thou wilt be as bound to the Collins family as be I. This I promise thee.” Her eyes bulged from her head, and she screamed, “Now get out, get out, get out!” The words shrilled in Vicki’s ears as she was plunged out of the scene, and she drew back, gasping, unable to force enough air into her lungs, and she was aware that Barnabas held her by the shoulders and was shaking her, shaking her, shaking her, and suddenly she was thrust back into her own body, and she drew away from him, shuddering. “No, I’m all right,” she gasped, and brushed sweat-soaked strands of hair out of her eyes. “Just ... just give me a moment.” He watched her respectfully until she had gathered her wits back, and then she told him everything. “But that woman I saw,” Vicki said, “that Miranda DuVal ... she was Cassandra Collins, Barnabas, I know it. I recognized her immediately.” “Except for her blonde hair,” Barnabas said, and Vicki nodded. “You are quite right, Victoria. The woman you saw in your vision is Cassandra, although I knew her as Angelique.” “The woman who made you a ... a ...” “A vampire,” Barnabas said, and smiled thinly. “She was a witch, Victoria, powerful, cunning, and deadly. Obviously she is much older than I suspected, but I can’t say that I’m surprised. She is immortal, it seems, and has tortured this family for generations.” He swallowed, and stared into the shadows surrounding them. “She’s here now, Victoria. Under the same guise of Miranda DuVal. She has a particular sense of humor, you see.” Vicki’s eyes widened. “Here? How? How is that possible?” She shook her head bitterly. “But I should know better than to ask that question, shouldn’t I.” “From what I can gather,” Barnabas said, “she was always a part of this time, though you and I weren’t. Our being in this time didn’t affect her appearance, though I have no doubt it will affect her actions. I told you that Quentin suffered an accident, but that he was fine now. I didn’t tell you that Angelique was responsible for raising him from the dead.” “But why, Barnabas? Why would she help you?” “She has always demanded a price in the past. For this feat she requested my silence, and for me not to interfere in her plans.” “But Barnabas,” Vicki said, “if we didn’t change the way that Jenny killed Quentin, then wouldn’t Angelique have had to resurrect him originally?” “I thought of that,” Barnabas said, “and I think you’re right. But Angelique doesn’t know how the future has played out. She isn’t aware that we come from 1967, and I think it would be safer for both of us if she didn’t find out.” “She might be able to help us, though,” Vicki said thoughtfully. “She and Laura have been bitter enemies since 1692. We don’t know what Laura’s plans are, but odds are Angelique will interfere.” “We must watch and see,” Barnabas said, and held the portrait of Laura before him. His eyes darted to Vicki’s, and he smiled. “You have performed your part excellently, my dear. Now allow me a try.” Vicki watched wordlessly as he closed his eyes and clutched the portrait tightly. “Spirts of time,” he intoned, “spirits of the past, of death and darkness, I conjure thee now. Hear my voice, and obey my commands. I summon a spirit lost to the past, a woman who lived on this estate a hundred years ago. Let her hear my voice ... bring her to me as I call to her ...” He opened his eyes, and they glowed redly. Vicki shrank back. The air around them began to pulse, and she thought she could hear the calling and cackling of strange beings that she couldn’t see and could only half-perceive. “Laura Stockbridge Collins!” Barnabas called. “I summon you! Eternal shade of Laura Stockbridge Collins ... wherever you are ... in whatever form you now dwell ... come to me ... now ... now ... now!” Vicki smothered a scream. The air shimmered before them, and a form began to waver into a view. It was a woman, dressed in a full, heavy blue dress of the eighteenth century. Her face was regal, aristocratic; her blonde hair fell about her shoulders in gentle ringlets; her eyes were a delicate, sea-foam green. She flickered like a moth in a flame. When she spoke, her voice was strange and unearthly, and echoed about the room. “You have disturbed me,” she said. “I have summoned you,” Barnabas said. “Tell me your name.” “I am Laura Stockbridge Collins,” she said. “Do you know me?” “I do know you,” the spirit said, “We met only once. You are the son of Joshua Collins. And yet you live.” “I do not live,” Barnabas growled, “and I do not die, and apparently neither do you.” “You speak in riddles.” Barnabas ignored her. “Are you the same Laura Collins that lives here now?” She smiled enigmatically. “I am Laura Stockbridge Collins.” “You died in a fire,” Barnabas said. “How was the fire started?” “I am the immortal Phoenix,” the spirit said with a haughty toss of its golden head. “I am eternal, fool. The fire sustains me. It does not destroy me.” “The Phoenix!” Barnabas gasped, his face suffused with recognition. “Spirit of Laura Collins, tell me why you have returned to Collinwood!” Horribly, it laughed, a shrieking, inhuman cackle like the screaming of a giant bird. “The children will yet be mine,” it said, and spat its laughter at them. Vicki screamed, “Barnabas, the fire! The fire!” Flames had sprung up around the laughing entity, consuming it even as it continued shrieked wicked laughter. Barnabas sprang forward and covered Vicki with his cloak, but the flames had already begun to fade away, and they took the ghost of Laura Stockbridge Collins with them. After a moment she was utterly gone. “The children,” Vicki cried, “oh Barnabas, the children! She’s going to take them away with her!” Barnabas’ face was set and grim. “It is worse than that, Victoria,” he said. “I’ve read of these creatures. A Phoenix is a mortal who has sold itself to the Egyptian god Ra in exchange for immortality. Ra will grant this request, but in return, the Phoenix must sacrifice itself over and over, only to return to earth again, fully restored. But this is not the only sacrifice it must make.” Vicki stared at him, horrified. “The children?” she whispered. “Yes,” Barnabas said. “The Phoenix is compelled to sacrifice its offspring to Ra. It takes them into the flames, and they die together. But only the Phoenix itself rises from the flames unharmed. That is how it sustains its own immortality.” Vicki buried her face in her hands. “Disgusting,” she whispered. She lifted her eyes back to him, and he was relieved to see they were filled with fierce determination. “We have to stop her, Barnabas. She can’t go through with this ... this insane plan.” “We will, Victoria,” Barnabas said. “Have no doubt of that ...” 6 The whispy, empty-eyed horror reached for him again with its bony, blackened fingers, and Quentin recoiled in horror. “No!” he screamed, fear tearing his drunken reverie to shreds, and sobered him in an instant. He had just awakened from another dream, a dream of howling and ripping and death and blood, rich hot blood, and had poured himself another shot of whiskey, when the ... the thing had appeared again, reaching for him, trying to draw him back into the grave. “No!” he screamed again. “No, I won’t go with you!” “You have no choice, Quentin Collins,” the thing said in its choked, bubbling voice, and leered at him with it’s death’s head grin. “You must come with me, with me, with me —” “Get away from me,” he sobbed miserably, and turned away from its awful, staring face. Beneath the thin, purple skin he had caught a glimpse of something moving, like a nest of worms beneath its surface. His stomach roiled uneasily. “You must offer payment,” the thing said. “Tribute. A die for a die is not enough. There must be more payment, Quentin Collins, more payment. No one escapes death. No one. Pay me, and I will go away. Appease me, and I will go away.” Its bony fingers traced his skin, leaving behind burning welts in their wake, and he screamed, the high, animal wail of the damned. But when he looked, it was gone, and he was alone, gasping and sweating with his face streaked with his coward’s tears. “Such a baby you are, Quentin,” the rasping voice of Magda Rakosi said behind him, and he spun around. “Is it really you,” he asked wearily, “or another ghost to torment me?” Magda stared at him blackly, and laughed. “Would that I were a ghost,” she said, “and torture would be too good for the likes of you.” “Get out of here, Madam Gypsy,” Quentin said. “Leave me alone.” She stood facing him defiantly, her hands behind her back. “I will never leave you alone,” she said. “Not after what you’ve done to Jenny.” “Jenny,” Quentin whispered, and stared into the flames of the fireplace. “Is that what you’ve done, Magda? Is that why you sent that ... that thing to torment me? Revenge?” “I don’t know what you talking about, Quentin,” Magda said. “You must be crazy. The look on your face says you are crazy as a loon.” “You’d like to think so, wouldn’t you,” he snarled. “That’s what you’d like to do ... to drive me to insanity. But it won’t work, I tell you, it won’t work!” “I ain’t drivin’ you nowhere,” Magda said. “I come to warn you, Quentin. You gonna be sorry for the thing you done.” “I am already sorry, Magda,” Quentin said. “You have no idea how sorry I am.” “Pathetic,” Magda spat. “What you got to be sorry ‘bout, huh? At least you got your miserable, rotten life. What has my Jenny got, huh? Nothing but darkness. She feeds the worms now, and why? All because of you, Quentin. You sorry bastard.” “I am a sorry bastard,” Quentin said, and his laughter was jagged and cutting, like shards of glass. “And as for my life ... I wouldn’t say that I even have that. No, Magda my dear, I would say your assesment is most inaccurate.” Magda glared at him. “What are you talking about?” He glanced at her morosely, and she saw with a shock how dead his eyes were. “Jenny killed me,” he said simply. “She stabbed me a few times with the butcher knife sister Judith left around. Hell, she probably put her up to it for all I know.” “Jenny killed you,” Magda said, her voice rife with disbelief. “Oh, I was dead all right.” “Then how did my Jenny die?” “I killed her before I went,” Quentin said. “Why should I lie to you now? I’m damned, aren’t I?” “Are you?” “You’d know if you’d seen the thing I have,” he said, and shuddered. “I don’t know what it is, or why it’s here. I thought you called it up, but maybe it has something to do with her.” “Her? My Jenny?” “Not your Jenny,” Quentin growled. “Miranda. Whatever she is, whoever she is — she brought me back to life. I’m not even sure how she did it, or why she did it. I don’t know what her stake in all this is.” “I wouldn’t trust her as far as I could throw her,” Magda said, and tossed her head. “I don’t think I came back alone,” Quentin said, and turned his white, frightened face to his sister-in-law. He was pale, and his eyes were circled and haunted. He swallowed convulsively. “Don’t you see, Magda? This thing ... it’s been haunting me for the past two nights. I’ve had visions — dreams — things I don’t understand. It has something to do with Dirk Wilkins, but I don’t know what.” He dragged his hands through his tangled hair, and then peered at Magda from between the bars of his fingers. “I see an animal in you,” he whispered. “That’s what she told me.” “An animal, huh,” Magda grunted. “Quentin, what you been jabbering about? What have you seen? What thing are you talking about?” “It’s dead,” Quentin said, “and it wants me to come back with it, back to the Land of the Dead. It says I have a price to pay. I owe a debt.” “A debt,” Magda said, and in the dimness of the room Quentin couldn’t quite see how her face had curled into a smirk. “It told me that I had to pay tribute.” That same devious smile played on Magda’s face as she stepped closer to him. “Tribute?” she purred. “Sounds good to me.” “Magda, what have you got behind your back?” he asked. Fear lanced at him suddenly, and he found that he was frozen in place. The atmosphere pressed down against him oppresively, as if the air were full of thunder about to break, but he was cold again, deathly cold. “La, Quentin,” Magda said, and held out the tiny earthen jar she carried. It was old, ancient even, and carved with tiny runic symbols and figures. The liquid inside of it was thick and black, and looked like animal’s blood, or something worse. “I think I have the answer to your problem.” He swallowed. “What is that?” “This?” She examined it critically. “It is old. Very old. Held by my people for generations and generations. But rarely used, and only for very special reasons. It’s Egyptian, you know. The Vessel of Anubis. I stole it years ago, and have been keeping it for just such an occasion.” “What occasion? What are you talking about?” “There’s an animal in you?” Magda whispered into his ear. “So be it.” She thrust out the jar, and the thick black contents splashed out and spattered across his bare chest. He threw back his head and screamed. It was hot and cold at the same time, and foul, incredibly foul, running down his skin like living fingers, clutching him and stroking him, and burning him as well. “Ave adencia carate,” Magda intoned, and thrust out her spell-casting hand. “As within, so without.” A rush of cold air screamed around him, whipping his hair and frosting his skin. The air rippled, and that deathly figure stepped into reality, still grinning at him. Blue and white energy swirled between its bony, purple hands, and its eyes were black and bottomless, and crackled with the same blue energy. “Yaa ru indihabii!” it chanted in a high, warbling voice. “Yaa Nafs indihabii! Yaa shaytann, inna nafsak Laa ta’ut bac ba’ad! Yaa Ruufukayl al-Azim!” “No!” Quentin screamed, and as he was consumed by the white-blue fire the demon-spirit wielded, he could hear Magda’s high, evil laughter echoing around him like the screaming of a crow. He sank to his knees in agony, because he could stand on his own two feet no longer; and he stretched out his hands to support him, and he no longer had hands. His eyes, through a crimson haze, saw huge hairy paws descend and spread out before him, and when he opened his mouth to speak, only a hoarse, gutteral growling would emerge. “I am appeased,” the spirit said. “The price has been paid.” And it faded back into the darkness. “This curse I place on you,” Magda spat at the monster before it, “and all the men who follow in your line. The demon inside of you I have brought to the surface; the demon inside of you I have given form and substance; the demon inside of you will infect them all, all your first born sons. As I will it, so shall it be. For all eternity.” Then she was gone, and the beast, the wolf, Quentin Collins, threw back its head and howled its rage and its loneliness. 7 Edith Collins was pleased. As she closed the door on her grandaughter, she smothered a wicked laugh that would’ve been quite inappropriate emerging from the throat of the wholesome Mr. Shaw. “Goodnight ... Tim,” Judith had said, as breathlessly as a woman rapidly approaching middle-age could sound, and had waved a little at him. “You’ve been so kind,” she continued, “so understanding. I want you to know my deep appreciation.” Oh, I’ll know it all right, Edith thought as she returned to Tim’s room. Her grip on this body had tightened, and she was loathe to let it go. Not when she was preparing such marvelous and devious plans. I should’ve become a man years ago, she thought, and allowed herself a wicked witch — that is, wicked warlock’s cackle as she entered Tim’s room and closed the door behind her. Yes, she thought, rubbing Tim’s palms together, soon Judith would succumb to Tim’s advances, completely convinced it was her idea all along; marriage would follow; Tim would become a widower soon after that; dear Edward would find himself at the bottom of Widow’s Hill, and that cow-eyed, simpering fiancee with him; and with Jamison and Nora safely disposed of, Edith would rule Collinwood once again. A new dynasty. A new chance. Oh, the power she would accrue, the power — “Counting your chickens before they’re hatcheted,” a mocking voice said from the shadows in the corner of the room, “is that it? You’ll have to forgive me. I’ve never been good with popular phrases.” “Who dares —?” Edith snarled, and whirled around. A green witchlight illuminated the room, and a woman with blonde curls bouncing, clad in a dress the color of a serpent’s hide, emerged, hips swaying seductively. Edith glared at her, completely confounded. She’d never seen her before in her life; perhaps she was one of Tim’s conquests? “Get out of here,” she snarled, “whoever you are. You are breaking and entering.” “I doubt that very much,” the woman said. “Considering that I’ll be part of the family very, very soon.” “Who are you?” The woman sighed. “Such a tiresome question,” she said. “You wouldn’t believe how many people have asked me that in the last twenty-four hours.” She smiled with false congeniality. “You may call me Miranda if it suits you. Or Master. I think I prefer the latter. It’s quite amusing.” Edith snorted laughter. “Now you amuse me,” she said. “I don’t think you know who you’re dealing with.” “I know much more than you think,” the woman said, still wearing that enigmatic smile. “You are Edith Collins, otherwise known to your multitude of rebellious grandchildren as ‘Grandmama’.” Edith’s mouth dropped open and her eyes bulged in shock and horror and utter disbelief. “Oh, but I love to see that expression of shock on your face. Except it really isn’t your face, is it dear? Not really. I believe it belongs to a Mr. Timothy Shaw. Don’t you suppose you should be returning it to him shortly?” “I don’t know who you are,” Edith said furiously, and began to wave her hands in the air, “but you’re going to regret your boldness in approaching me, I swear to you.” Red waves of magic hung in the air in the wake of each pass of her hand. Miranda trilled mocking laughter, and held out one hand, and Edith found that she couldn’t move. The crimson energy dissipated as quickly as she had summoned it. “You are not as powerful as you thought,” Miranda said, “and a good deal weaker than you were in life, I’d reckon. I stopped you with an easy spell; a novice could’ve done better against me than you.” “Who are you?” Edith cried out in frustration. “Your better,” she said, and her smile dropped. “Your superior, actually. And your most deadly enemy.” “Why?” Edith said. “We have never met.” “Not face to face,” Miranda said, “but I’ve been keeping my eye on you for a long, long time, my dear. You were quite lovely in your day. Your power grew like a poisonous black pearl, but what did you accomplish? You became a fat, bitter old woman, bound to your bed and waited upon by your selfish grandchildren, even as they waited for you to die. And still you couldn’t let go of your hold on this earth. Well, I cannot fault you for that.” Her eyes grew wintery. “But I can fault you this. If Charity Trask had succeeded in the task you appointed her, you would be dead this moment, you and the body you have stolen.” “I don’t know what you’re talking about,” Edith growled. “You needn’t pretend with me,” Miranda said. “When you tried to have Barnabas Collins murdered this afternoon, you made a great mistake, and thus I have become your most mortal enemy, Edith Collins.” “Kill me then,” Edith laughed, “and have done with it. If you can.” Miranda’s lips twitched in a smile most gruesome. “Oh, I’m not going to kill you,” she purred. “No, my dear. The punishment I have in mind for you is much more fitting, I promise you.” She stepped back, and another woman emerged soundlessly from the shadows. Edith gasped despite herself. It was Charity Trask, but how changed. Her face was porcelain white, and her eyes glared red, like fiery rubies, from the sunken pits of her eyes. Her hair hung lank and blonde in her face, and her lips drew back from her terrible teeth, and Edith saw how long and sharp they had become, like the teeth of King, her loyal German Shepherd, dead these many years. “No!” Edith cried as Charity stepped foward, and held out her white, white hands imploringly. “What have you done to her?” “Isn’t it obvious?” Miranda tittered. “She’s my masterpiece, though I really should give most of the credit to Barnabas. All I had to do was open the wounds on her throat, and she bled to death. Simple, really.” Her eyes sparkled. “I hid her body away in a lighthouse on the coast, and she came to me when she rose, about a half hour after sunset. She is my complete and utter slave, Edith Collins ... just as you will be.” Her voice became cold again. “I can afford no interference in my plans, not even yours.” “No!” Edith cried, but it was Tim Shaw’s voice that emerged, cracked and terrified, and Tim Shaw’s hands she held out in a warding off gesture that did no good. The hungry, newly-minted vampire prowled forward, growling a little like a great cat, and her tongue slipped out of her mouth and licked her wicked little teeth. Edith tried to dislodge herself from the body that now felt clumsly and helpless, a prison of flesh far more constricting than any cell, but found, too late, that her magic had worked only too well. Miranda laughed and laughed as Edith screamed “No!” over and over until at last her voice gave out, and then there was only a weak gasping ... and the sucking sounds. 8 Miranda was quite pleased with herself. After the vampire’s disgusting repast was at an end (how awful it must be, she thought for a moment, to be such a vile creature; I don’t know how on earth Barnabas does it), she levelled a finger at the snarling, inhuman thing, and said coldly and firmly, “Go back to your coffin, Charity Trask. Back to the lighthouse, where you will wait for me until I summon you again.” Charity had said nothing intelligible until now, and in a slobbering, wheedling voice she growled, “More. Want ... more.” Miranda eyed the unconscious man on the bed with a critical eye. “You very nearly drained him tonight,” she said, “and that would be a mistake. We don’t want Mr. Shaw dead, my dear. Just under my control.” She tittered. “Him and the parasite inside him.” “More,” Charity panted. “Need more.” Miranda nodded sagely. “And you will have more, have no doubt of that. But not tonight. Go. Return to your coffin, and let no one see you, or you will face the daylight when the sun rises.” The vampire showed her teeth in a cheated hiss, but her body became misty and indistinct, and a few seconds later had faded away entirely. Miranda beamed. This couldn’t be going more smoothly. The potential threat of Edith Collins had been neutralized, Barnabas Collins was helpless before her, she had a pet vampire to play with, and Quentin Collins, already intrigued by her tantalizing promises of dark power, would soon be completely under her thrall. All in all, she decided, a very satisfactory day. *You will never leave this room.* Miranda froze. The air around her suddenly shivered with cold, and her eyes darted back and forth frantically in her skull. It was a voice she almost recognized, but a spirit’s voice was always difficult to identify completely until it materialized. Too late she remembered the ghost of Jeremiah Collins, and how it had foisted its will upon her, how it had carried her off on the night of her wedding to Barnabas and buried her in the grave that still held its rotted, fetid corpse. She remembered how she had stared, panic-stricken as she was now, into the one visible eyeball in its rotting skull, glazed and full of horror, as the ghost above her shoveled handful after handful of dirt over her, until the black, rotten mud filled her mouth and choked off her screams. That won’t happen now, she vowed. You were young and stupid back then, and knew nothing. You are powerful now, much more powerful. No ghost can threaten me. “Who are you, alien spirit?” Miranda called, her voice sharp with challenge. “Appear to me, in the name of Charon and all the spirits of hell. Appear to me ... identify yourself, lowly shade!” Mocking laughter followed this, and her hands clenched into fists of frustration. *Witch. Sorceress. You have the spirit of evil within you.* “You don’t know me,” Miranda said. “Appear to me, I command you, in the name of Beelzebub —” *He has now power over me.* “He will,” she swore, “just as I will.” *No. You have deprived me of my lawful prey, those who are rightfully mine to punish. I shall mete out my own justice to you now.* She forced herself to laugh. “You dare to threaten me? Don’t you know what I can do to you? I can sentence you to walk the earth in agony for the rest of —” *I will show you my powers. I will show you our powers.* Before Miranda’s horrified eyes a figure began to materialize. “I know you,” she whispered. “You’re like him ... but you’re not.” The ghost with the spectacles and the gray mutton chops smirked at her, and the smile coiled on his face like a serpent. “You’re a Trask!” she cried. “You must be!” “I am Gregory Trask,” the ghost boomed, “and you have taken my murdering, treacherous daughter from me. Mine was the right to destroy her. I shall have satisfaction.” “As shall I.” Another ghost materialized, and stood beside the first, and Miranda moaned in terror. The resemblance between them was uncanny, but this man’s face was drawn and pale, and his black hair peaked in a vicious spike above his wide, domed forehead. His blazing eyes were not sane. It had been a hundred years since she had last seen him when, as a terrified servant girl, the Reverend Trask had accused her of witchery, and Angelique had been forced to destroy him in a cleansing burst of flame. “This is not possible,” she said, but gathered her powers. She felt the energy begin hum inside her, and trills of power ran up and down her arms like skeins of electricity. “But I shall deal with you both as easily as I could’ve with one.” “Not so easy,” the Reverend Trask smirked, and Miranda screamed as a firebrand appeared in his hand, crackling gleefully. “I’m going to destroy you now as I should have a century ago. You were able to overcome me then, but I have grown powerful over the years, and I know now what your weakness is. The same element that you used to destroy me will destroy you as well!” Miranda opened her mouth to begin an incantation, but Trask thrust out his free hand, and she clutched her throat, gasping. “You are mute,” he grinned. “You cannot speak. Isn’t that what you said to me, Angelique Bouchard, before you condemned me to an agonizing death?” The two spirits had merged now, and flickered before her, so that she couldn’t tell which was which, and when they spoke, they spoke in two voices. *My daughter and her lover, the fools — — the flames of hell will feed off your flesh as — — thought they rid themselves of me, but I — — they fed off mine — — came back, and you robbed me of my prize — — and you’ll — — pay, you’ll — — pay — — witch — — witch! — — WITCH! — * Miranda threw back her head to scream as the Trask ghost hurled the torch at her, and the flames began to lick and paw eagerly at the crisp fabric of her dress. Within seconds she was consumed inside a white wall of righteous fire. To Be Continued by NancyBe!